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I've kind of let my goals for the year go by the wayside - one thing it didn't account for enough was that "life happens", and projects came up that I wanted to do but couldn't possibly have planned ahead for. One I intended to hold myself to, though, was "Take a class on something!" - a good goal for every year, isn't it? And, much like the class on natural dyeing that I took last year, this one really brought home the idea that there's no substitute for learning from a human teacher.

Backing up a year: the first issue of Piecework that came in my subscription was the Historical Knitting issue for the year. At about that time I'd been looking for a way to make purling - or, more precisely, switching from knits to purls within a row - more efficient, and I thought I'd found it in the Portuguese knitting technique most associated with Andrea Wong, which was featured in an instructional article in the magazine - this is the method I'd heard about, also used in Peru and some parts of the Mediterranean coast, where yarn is tensioned around a hook-shaped pin or your neck. I gave it a try - and I failed, and kept right on with my old style of knitting.

I was delighted to hear a little while later that my LYS was trying to bring Andrea in to teach a class; I really was interested in the technique, and figured I could learn it from a human much more easily than even a DVD*. I was right. Purling isn't that much different from the way I do it now - but the way the yarn is tensioned makes it that much easier. Knitting with the yarn in front is a little different (and that's where I had trouble trying to learn from the pictures - the article didn't make clear that you really, really should start with purling) - but switching between knit and purl, once you've got the hang of the technique, is a quick, painless matter of flicking the yarn over or under the right needle with your thumb. We tried a little colorwork, too - you add a second pin on the other shoulder, and then just...use whichever yarn you need for your pattern. This could make some of those crazy designs where you use four or five colors in a single row of knitting much more manageable, because while you only have two hands, you could put an arbitrary number of pins on your left shoulder...

I remembered that in a class Yarn Harlot teaches about "Knitting for Speed and Efficiency", she advises students to practice the new style of knitting 15 minutes a day, and that's what I've been doing - right now I'm still kind of slow at this, but I think I'm getting better. I was right to say that this would be the perfect technique for the shadow-knit scarf (now about six inches longer than Hubby is tall, and likely to get another foot or so longer...I worked out that it's about equivalent to five socks' worth of knitting), but Andrea was also absolutely right to say that your gauge will change dramatically and you shouldn't switch mid-project. So, in light of a thought I had while sewing up the tail of my fish hat...I'm making a bunch of 20 stitch x 20 row swatches to practice proper seaming techniques on. Whip stitch is fine for fish hat tails, not so great for sweaters.

*If you want to learn this style of knitting and are not fortunate enough to have Andrea Wong come to your LYS, she does have a DVD out, another one being released in about a week, and a book-in-progress, probably released in the spring of 2010, that will cover a lot more than the DVDs.
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I've kind of got a deadline project now: can I finish five socks between now and July 15? I think I need to finish Queen of Cups, and then get cracking on the Harry Potter sock yarn so it can be done by the movie premiere. I wonder if this would be a good opportunity to learn a couple of the architectures from New Pathways for Sock Knitters - they'd still kind of count as "plain", but at least I'd get to learn something new from the experience. I just haven't seen that many patterns that aren't Jaywalkers that look good in the wacky wacky sock yarn.

I also think it's time to take out Tradewinds again. I don't have a deadline for that, but it'll be a nice break from manic sock knitting.

And I need to get the edging done for my pants - ideally I'd like to crochet it, but I haven't found a lace trim that grabs me. Maybe one of the edgings from the Irish crochet book on antiquepatternlibrary.com? Maybe.

If I have time...conquer Fear Of Spinning. Use the baggie of "Beginner Wool" to try to make sock yarn; I know I've got plenty of extra of that. Dye it with Easter Egg dyes. Voila.

I'm putting the fish hat (needs some frogging to work another color in) and Hubby's scarf (I'll pick it up again in August so it'll be done by scarf season) on the back burner.
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I have a lovely fiber stash. Some silk, some painted braids from Yarn Hollow, a big ol' mess of Romney, some llama-wool mix, a couple other bags and balls of wool. I go through and pet it sometimes.

I'm afraid to spin any of it.

With some of it, it's because I'm not sure what to do with it; buying the fiber in 4-ounce braids is kind of limiting, and I think I've failed in stash management if all I do is turn a braid of fiber into a skein of yarn I have no use for. (Note to self: next time buy two or three in the same colorway? :) ) The immediate thing coming to mind is socks...but that leads into the next problem:

What if I screw it up? What makes a good sock yarn? What if I fail to achieve that goal? If I try to spin the llama-wool into a two-ply lace yarn and instead end up with cat barf, will I cry and pronounce myself a failure? Or if my handspun socks get holes in them and felt down to nothing the first time I wear them? The more I learn about spinning, and especially the more I learn about yarn construction, the more hesitant I become. For every "right" outcome, there's an infinite number of wrong ones...

"Nothing ventured, nothing gained" is a good maxim to live by - but it's rough if you're inherently a coward.

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